Showing posts with label author. Show all posts
Showing posts with label author. Show all posts

November 8, 2023

The Mystery of the Autographed Novel

 

I found this on the internet. Very interesting. This was uploaded to a site by station14.cebu. I am not sure if that is someone's username, or if it denotes a location. Cebu is in the Philippines. The real mystery is how one of my autographed copies ended up in the Philippines. #novel #book #booklovers #author #autograph #thedaddyrock #fiction #fictionbooks

September 4, 2021

I Have Time to Write

 Often when people find out that I am an author, they respond with "I don't have time to write." Well, neither do I, but I make time for it. Also, folks will tell me that they're writing a book. I'll ask, what's it about? They'll pause, and then say, "Well, it's complicated." Or, "It's different, it's tough to explain." Yep. That's sounds compelling. A complicated, different, tough to explain book is all anyone wants to read. One thing I learned since being published is that if you can’t summarize your novel in a few sentences, then you had better figure out exactly what it is you’re writing. Since I was a kid I wanted to write. It's one of the few things that I do that is truly gratifying. It's like painting, sculpting, or any other art or craft. I do this for me — for myself —and the time I spend doing it is time well spent. If others enjoy the story, the experience becomes even more satisfying.

March 14, 2012

Stay tuned for more information about my upcoming novel, "Burning Blue," due in stores July, 2012. Writing and publishing are slow processes, and I am anxious for everyone to read my story and meet the characters I created.

Please visit Passionate Writer Publishing for great books.

Fans of fine literary magazines should visit The View from Here Magazine.

March 18, 2008

Writing Exercise: Creating Now for Later


There is a method I use to help inspire me when I have writer’s block. It’s simple to do and it is undisciplined: I simply write anything. An example of this is a piece I jotted down recently using the theme of unoriginality. My idea is that just about everything written has been said before and even expressed in the same manner by others. My only fault in writing this was that my subject was not narrow enough for the brevity of the paper.

To tighten the focal point of my exposition would have worked better. A precise argument is always the most effective; yet, my goal was not to create something publishable, but to cobble together an article which I might cannibalize later. To get my artistic juices flowing, I took an idea, rough on the surface, and ran with it. I am not proud of this composition; and, I am not anxious to publish it here. But, I think the purpose it serves is to demonstrate the decree I have been living by as a writer for most of my life; and, that is that a writer writes…always.

Many of my blog posts are rejuvenated works that I wrote years, even decades earlier. Much of my newer material is still evolving; maturing like bottled wine in the cellar until such time I find it necessary to take them out to breathe, and to be posted here. One of my recent blog posts was born of an extended poem I used as part of my training regimen back in the 1980s. The surest way I know that a story, poem, article, or essay I wrote is not finished is when I cannot come up with a suitable title for it. That is the case with the paper I will show you here. The idea is sturdy, but not fine enough. The last paragraph does not finish as strong as I would like it too, the imagery is almost non-existent, and I can’t find a proper name for this work. However, I like much of what I came up with and I intend to store it away in my notebooks and produce it again at such time when I believe I can tackle my treatise with the skill and voracity it deserves.

For today, this piece serves me well as a catalyst which propels me forward and keeps my literary voice honed. The working title of this workout is “In-distinction.” Perhaps other writers employ similar methods to keep themselves sharp, and I imagine all of us have volumes of unpalatable material saved on legal pads, loose leaf paper, and their computers. At great risk, I offer you mine here.


In-distinction

It’s difficult to grasp that there are almost six billion souls in the world today. Staggering still is the notion that there were billions more who lived before them. I am one; one man who feels the echoes of them all. My writing, as sparse and understated as any deficient poet, can merely express my own thoughts and meanderings let alone take on the accounting of civilization.

What I sense at my core is a ripple; several of them perhaps, and they spread from my heart to the tips of the hairs on my neck causing me to shudder. There is a spark to my stuttering; realizing that I speak for myself, yet others articulate the same things. Without ever meeting these copycat spirits both alive and dead who suggest my own ideas and relate my own calamities as they all experienced the same; I see now, I am not distinctive.

My mind is not my own as it was hewn from vast cosmic material as indestructible as God Almighty. Scraps of flesh from the departed are snug among the particles which make up my identity. We share humility, shame, agony, joy, selflessness, curiosity, delight, jealousy, and shades and shades of tempered sensations which repeat themselves across the eons on this worldly theater.

I can tell you about Jesus! Believe, believe, believe and then enlighten everyone. Write about my devotion, my conservatism, and my faith in spirituality over organized religion, and then pen my views. Won’t that make a compelling book? You wrote it already, didn’t you?

My thoughts are not yours. These words, they’re copyrighted, original, unstained by another’s pen. Whose work came first? Feel pain? I do. Want love? I am in love. Are you grieving? Here I am, let me tell you a story. My story, is it authentic? Do I remember it or does my great-grandfather? Ask my grandchildren as they will evoke this when they are born.

Food, sex, television, sports, beer, cars, music; I can write about those things. My novels appear significant; tales of men and women committed and their families slain. What about adoration and casualty? Did I say all of that with seventy six thousand words? How novel.

Maybe tomorrow I’ll discover a secret vault with all of the passions and clever schemes no other human ever experienced before. Have you seen it? My Forefathers did. I remember.



Maybe it isn’t that bad after all? Pay careful attention, because there is at least one line in there which is headed for a blog post coming up in the near future. I can hear the complaints already: “What do you mean, more re-runs?” No, not re-runs; just the same old thing, but better.

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March 13, 2008

"Six Word Memoir" Meme



I’ve been tagged with the dreaded “Six Word Meme” by a Rotus, the author of two really terrific blogs: “Rotus” and “I’ll Never Forget the Day I Read a Book!” How it works is the person tagged writes a six word memoir about themselves and post it to you blog. Then, link to the person who tagged you, and tag five more people. However, in keeping with my own theme of intrigue, I’ll hold off on tagging others as is my traditional method of responding to memes so I can use the tag on an occasion where I see the meme fitting. Those who have been tagged by me in the past know what I am talking about. Here’s my six word memoir:

“I have become a marvelous writer.” (This statement is strictly tongue-in-cheek!)

Pretty bold, huh?

February 29, 2008

A “Now” Fangled Story


When starting a work of fiction, a writer must understand that when it is completed, it is going to be a different piece of work than when initially begun. Writers mature a bit more as story tellers and practitioners of their craft with each project undertaken. When editing a first draft of a manuscript, authors may notice changes in the voice, tone, and timbre of their tale as it progresses. The characters may even speak differently. A large part of the editing and rewriting process involves searching for errors and improving the sentence structure, etc. However, authors sometimes make the mistake of not looking for anachronisms.

My first novel took me five years to write and about two years to edit. Since I wrote this tale about a man traveling into his past, I didn't have to worry much about items being out of date. It took four months to write the first draft of my latest work. Yet, I have been re-writing and editing it for the past two years. Society and technology haven't been altered dramatically in that brief time span; but, there are subtle changes which may leave the reader wondering.

This story takes place in contemporary times. Small details such as talking on a cell phone in a hospital need to be addressed. When I first wrote a chapter with my protagonist having life saving surgery, my mother was hospitalized, and using a cell phone in a hospital was forbidden. Now, I am almost done with my editing, and I've noticed that it does not matter if you chat on your cell phone in a hospital anymore. Without any reference to the year in which the action is taking place, technical gaffes like that can cause the reader to doubt the story's accuracy. My style of writing is such that I do not want the reader to know that they are in fact "reading." With that said, I do not wish to risk losing even one member of my audience to carelessness.

A few years back, I started reading a novel by a well known author who shall remain nameless in this article. The reason for not mentioning this writer’s name is because I loathe to speak ill of an author’s work if he or she has been published by traditional media and I have not. Still, from a reader’s view, the point I have is valid. The novel in question is about an attorney who gets the bulk of his cases from a much larger law firm which sends clients with dicey or unseemly problems to him. The lawyer-protagonist winds up investigating a string of homicides. My problem was not with the plot, but with the police tactics.

As a former police officer, I retreat quickly when it comes to watching police dramas on television and in the movies. Nor do I run to the bookstore when the latest police procedural is published. Often times, I find such huge inaccuracies in the methods employed by the fictional police officers that I can’t watch or even read about them. I’ve seen movies where the officer gets into several shootouts a day and they never have to fill out a single report much less testify at a grand jury. The Constitution is non-existent as they burst through doors without warrants, arrest people on the flimsiest suspicion, use excessive force, and the list goes on. That is why I found it odious when I read the book based on my father's recommendation.

What concerned me was that whenever the main character had interaction with the members of the New York City Police Department, the cops always had to use a pay phone to call “headquarters.” One scene depicts a shootout with one of the officers fumbling for change in his pocket to call for backup. This book was written in the middle 1980’s. For the record, I was an NYPD officer during that era and we employed curious devices called “radios.” In addition, street cops do not call “headquarters,” which is actually known as “One Police Plaza” to rank and file “members of the service.” If anyone does call “1PP,” it would be someone far up the chain of command, and only after several other events happened, and only after a string of procedures was implemented.

Those are major holes in the story which as a reader I could not handle. The unfortunate result was that I had to put the book down. It wasn't the quality of the writing which turned me off, but a credibility gap created by the imprecision of plot details which canceled any suspension of disbelief for me. Was I being too technical? Could have I dismissed that the fact there were no portable radios were issued to uniformed patrol units? I don’t think so. Those are important components. While only police officers are likely to have noticed the error, authors should be unwilling to part with anyone in their audience for the lack of research or insufficient editing.

With regard to my story, I do not believe I would have caused anyone consternation if my characters had to go outside the hospital to call someone on a cell phone; still, I repaired that point. But, I am still wary as it is now three years sine I wrote this story and more anachronisms may pop up when, and if, I ever do have it published. My older works of fiction may not need any such tweaking as if by some miracle they ever see the inside of a publishing house, it would be obvious the story’s setting was decades earlier.

My lesson is to remember that the novel I set out to write today is going to be very different when I finish it tomorrow. Reading for mistakes is obvious; but making sure your story details are still relevant to the time period is not as apparent. Now I’m off to finish my current project which is taking me ages to complete. It’s a contemporary novel about a young man who needs money to buy a new boom box so he can listen to his audio cassette tapes and practice the singing and become a rock and roll star. Oh wait; they have iPods now, don’t they?

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February 25, 2008

Introducing: The Midnight Wanderers


The recreation of my blog back in September of 2007 was important to me in more ways that I imagined. This forum, the writing experience in this space, has improved my life. I’ve been able to express myself with more clarity using the written word than I ever have before. My past efforts have focused more on my novels and short stories. Here, I have authored essays, articles, and stories based on my personal life which helped me to edify my soul, if you will.

There have been blessings, as well. In this giant world full of folks with different lifestyles and ideas, I have formed bonds with many who live in all parts of the globe. Some of these relationships have been fleeting, others more enduring, and some more important to me in terms of partnership than others. I value all of my readers, friends, and acquaintances here in the blogging cosmos. Yet, there is one blogger with whom I’ve forged a writing venture with and he has created an entity which I am honored to belong to. This is a group where he has dubbed me as one of the founding members. The writer of whom I speak is JD, author of The Uneasy Supplicant, and I am a proud member of the Midnight Wanderers.

Those of you who visit my website regularly may have noticed the emblem of the crow with the red “MW” emblazoned on it in the upper, right hand corner (image is shown in this post). This icon was created by the talented JD (as well as the idea for the Midnight Wanderers), and inspired by the notion that writers often have their best ideas at night, even at “two in the morning” as we often jest. This badge assumes that the person with this image on their blog has the necessary skills, drive, creativity, and dedication to advance and improve the craft of writing. I’ve been corresponding with JD for many months now, and we share the common objective of creating fine fiction, essays, poems, and articles. We proudly call ourselves writers, and we wish to bring others into our circle. The rules are simple and are posted here and on JD’s blog, The Uneasy Supplicant.

This is a proud moment for me and for JD. It is more than a badge of honor; it is a promise to always work toward writing excellence. This was the original purpose of my blog, and I consider this momentous occasion a launching point to refocus my efforts and to write as well as my abilities allow. In due time, in conjunction with JD, I wish to bring others into The Midnight Wanderers. Thank you all for reading Mr. Grudge and The Uneasy Supplicant.

The Rules of the Midnight Wanderers:

Everyone will have the designation of Official Member. New members may suggest another blogger for membership; but in order to maintain the true spirit of The Midnight Wanderers, the founding members must review them for admission.

If someone is offered the badge and refuses to display it, that is their right; however, they will not be able to call themselves a member of the Midnight Wanderers. If they change their mind and want to join after a refusal, they can be inducted after writing an essay proving their value to the founding members. The essay’s length and subject matter is to be determined by the founding members, will be tailored to the abilities of the blogger in question, and will be posted on their blog for a three day period.

Membership of any new member may be revoked at any time by a consensus vote of the founding members for any conduct, which calls into suspicion their dedication the cause of the Midnight Wanderers, degrades the group, or demeans another member of the Midnight Wanderers, or if that member engages in hate speech demeaning another’s race, ethnicity, religion, or national origin.

All members of the Midnight Wanderers will exhibit high standards for writing, a dedication to their craft, and continue to promote the craft of the written word with their unique styles and literary voice. That is the mission of the Midnight Wanderers.

*If you have any questions or comments, please e-mail me, or contact JD over at The Uneasy Supplicant. Thank you all.


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October 11, 2007

Don't Be Afraid To Write About...You Know

As a writer who is woefully terrible with quotes, I am going to paraphrase this one and give credit to the first author who lays claim to it: "A person does not really become a writer until their parents die." It's a funny line, and I'm willing to bet that there are a few of you out there who get it right away. What that quote means to me is that writers often edit themselves and don't write anything too controversial as not to embarrass themselves, or their readers. Only when that writer's mother and father are gone, can that person feel relaxed enough to author content which may make Aunt Bessie red-faced if she saw it. My biggest hang-up has always been the sex scene. In my case, as a side note, I still have to pretend that my wife is never going to read anything which can be considered “adult” for fear that she may think that I’m really writing about my own fantasies. I can see the scene playing out between the two of us if she ever read the stuff I edit out of a story.

Angry wife: “So you want to bang the baby sitter? You pervert!”
Me: (sweaty brow, hands shielding my face): “No honey, not me…the guy I’m writing about wants to. I think our baby sitter is ugly.” (Gulp)

Okay, I’m exaggerating. She supports what I do, and understands the process, I hope. But, I digress.

We all “do it”, ya know. Even our (gasp!) parents “did it” or else you wouldn’t be here, duh. So, naturally our characters are going to feel a bit romantic for each other and want to act on it every once in a while. My goals when typing out a “roll in the hay” scene between two characters is to have them learn something about each other, or to illustrate a plot point. Mostly, I want them to be complete human beings who react as the rest of us three dimensional individuals do when we’re around other people. I wouldn't want to turn one of my stories into an orgy fest; but, I think that at least one person in each of my stories would like to see another one naked.

How you actually describe the scene is up to you. Your technique can be to chronicle the entire event from the awkward first kiss, all the way around third base and across home plate. You can be vulgar, or clinical in your description of body parts, or follow the amorous couple as he carries her upstairs to the bedroom and slams the door in your face, leaving you, the reader to guess what's going on inside. All of this is relative to your skillfulness as a writer, and how much of a risk you wish to take. Even the voice used to tell the story has influence on what verbiage is used or how graphic it becomes. A wedding night between newlyweds may be narrated differently than the new inmate's first visit to the prison shower where there's a welcome party awaiting him. But the point of this article is not to lay out how to write a sex scene; it is basically to encourage you to write about what is perfectly acceptable. Also, you don’t have to kill your parents in order to work up the nerve to write that scene between the young woman behind the counter at the local deli who always wears a tube top, and the beer delivery guy.

Your audience has to remember that you're writing about human beings, and a complete human character needs water, food, shelter, clothing, etc. They even want to get frisky with each other. Those are all elements of good drama. You should feel free to sketch your characters to a point where your readers will be able to handle it if a twenty-year old Au Pair strikes a pose on the living room couch in her nightgown while watching Conan O’Brien, and then Dad wanders downstairs for a late night snack. Au Pairs can help a lot around the house and we can afford one, right honey?




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October 24, 2006

You Don't Need No Stinkin' Agent

I just finished writing yet another "soon to remain unpublished for good" novel. Once again, my manuscript will be submitted simultaneously to both agents and publishers in the hopes of getting the story published and making me a wealthy man. I couldn't care less what any agent or publisher says about simultaneous submissions. Essentially, they want to read your work exclusively, while they take their time getting back to you while wasting your incredibly valuable time. That brings me to the thrust of this article. An agent needs you, and not the other way around. You go ahead and do whatever you have to do to get published. Don't cater to any whiny agent's demands.
In the past, two agents represented works I've completed. One never bothered to honor the entire term of our contract leaving me little or no recourse to get them to fulfill our agreement, and the other agent apparently made a living exclusively by charging authors excessive fees for photocopying and postage. Now, needless to say I am in the hunt for a new agent.
Agents are business people who actually believe that their clients need them and not the other way around. I've read rude comments on the websites of certain author representatives who write complex rules on submissions up to and including how to place the manuscript in the envelope. The vast majority of them will banish your manuscript to the trash bin if you ever dare to call them (for fear that their children will answer the phone and you'll discover that they are working out of their basement) and most will simply write "not interested" on the front of the manuscript which you paid to have photocopied instead of wasting one of their own precious pieces of paper to write a professional letter of rejection.
Because agents can be picky, rude, unscrupulous, unprofessional, and dismissive, I believe that if an agent seems to have bad traits even before I contact them, then I will avoid them all together. If they become annoying at any point during the contact, read, send more, and the "maybe I'll represent you" phase, then I'll look somewhere else.
The decision comes easy to me because I already have a job, a very good one, and I'm willing to bet that I make a whole lot more money that some of these "agents" who need to realize that without writer's they wouldn’t have careers. And if any agent is reading this, I'm only kidding (not).

October 14, 2006

Public Relations & You


I’ve been asked by a professor at the college where I am employed to deliver a lecture on public relations. My speech is tailored to the young, inexperienced, undergraduates in her class. The main theme will focus on how the demeanor and appearance of job seekers influences potential employers.

In my other professional life, I am managing editor for fiction for an international literary magazine. In that role I get to read some well written stories. In many cases, however, I must turn writers down in short order. My duty is to accept only the best a writer has to offer which complements the style accepted by the periodical I work for. I am intolerant towards authors who submit poorly written query letters which do not provide a plot summary or begin with a salutation. Many of the e-mails I receive are composed like text messages and expose the authors as incompetent writers. This brings me to my earlier ideas on public relations.

Writers are entrepreneurs who are the product they are marketing. They must present their stories to agents and editors who have their own individual biases and preferences. In order to be perceived as a skilled writer, one must begin with the opening sentences of their initial contact letter with respect for editor or agent’s position.

You may view your stories as art and be casual about your craft; but, make no mistake, the editor views your work as merchandise which may or may not help sell magazines. The writer/editor relationship is a business affiliation and is best treated as such. There is no room for informality and flattery. The writer needs to make a pitch and wait for a response. In turn, the editor will treat you with the same courtesy which you extended with your initial letter.

I’ve given speeches on public relations before, at the college. Typically, I package my sermons as informal advice while I am conducting seminars on technology. As I stand before a classroom of slouching, apathetic freshman, I point out that their manners convey a lot about them, either fairly or unfairly. While attending a university, you are actually on an extended job interview. The classmates surrounding you will enter the job market at roughly the same time you will soon after graduation. Some may already be working in your desired occupation and could potentially be the one interviewing you for the job you aspire to obtain.

Do you want to be remembered as someone who slept through most of their classes, drank a lot, and couldn’t memorize their class schedule? Or, do you wish to be admired as a dedicated learner who studied and made meaningful contacts through internships? The answer to that question is not always obvious to today’s youth, as they do not see marketing themselves as a vital effort.

Few recognize that companies must promote themselves to a fickle public, and therefore, selecting only the best from the talent pool will help them advance ahead of their competition. One fact which can never be overstated is that talent is sometimes available in abundance; and, other subtle factors are considered when interviewing candidates for any career opening. The key to accomplishment lies in the first impression one makes with a job interviewer.

Authors are free agents who vend their wares to a saturated market. A strong query with a proper greeting, story outline and word count, writing credits, and a conclusion, will rise above queries like these: “I have been published in far more prestigious magazines than this, so I know you’re going to accept my work,” or, a defensive tone “I don’t care if you publish me or not because I know I am good,” or the rude and poorly written e-mail “hi I want u to read my story ‘The riding cowboy’ which is something I wrote for my blog but did not post there becuz I am sending to u now so please publish it as I know you are accepting writing like this.

In the end, I remain employed in my full time position because I consistently prove my worth to the College’s administration. My appearance is professional, and I deal with faculty, staff, vendors, and students alike with the same respect I wish they show me.

In the literary world, I am an editor who expects only the best creation a writer has to submit. It is assumed that an author wishes to peddle only their strongest pieces. When I open stories with poor grammar and with spelling errors, I am inclined to reject them. It’s obvious that the writer did not know, or did not care enough to find out what to do correctly; and, in those cases, it is not my function to teach the author grammar and punctuation, but to dismiss their submission.

I've been asked to be an editor because I impressed the magazine's founder with my experience and with my writing. When I read an e-mail from a writer, I want to be shown the same respect I offered to agents and editors whom I have queried over the years. It is not only professional, it is a courtesy, and it makes one’s work more acceptable before others.

In a few days, I am going to deliver my lesson on public relations. The main theme in my presentation will be personal appearance and professionalism. Right now the students are learning to market themselves, just as writers need to do.


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